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This forces the trio of youngsters to set out on their own, on a series of adventures, some more rewarding than others. Soon, the Death Eaters show up again, and panic overtakes the crowd. It’s a brief interlude and a chance to get reacquainted with a whole bunch of the characters from previous movies and, of course, acts as a reminder that any moment of joy will just as quickly be squashed. This sequence of extreme terror is followed immediately by a quiet moment of joy: the wedding of one of the Weasley brothers to a comely French wizard. The sequence whizzes by thanks to director David Yates (who previously helmed the ‘ Order of the Phoenix‘ and ‘ Half-Blood Prince‘ entries), who has placed a strong emphasis on Harry’s point of view, which is at times thrilling and exhilarating, but sometimes comes at the cost of dramatic heft (like when a notable member of the team is killed, off screen, during this chase sequence). In a breathless opening chase sequence, the Order of the Phoenix, each disguised to look exactly like Harry, is thinned considerably when they’re attacked by a legion of Voldemort’s followers (known as Death Eaters). Harry ( Daniel Radcliffe) and his chums Hermione and Ron ( Rupert Grint) are protected by a slew of older-generation wizards known as the Order of the Phoenix (among them: Brendan Gleeson, Robbie Coltrane and David Thewlis). It’s a small moment, and subtle too, but it sets up the stakes well… even if this is only half of the final chapter.Ī sense of paranoia and dread blankets ‘Deathly Hallows’ with the realization that reptilian super-wizard Lord Voldemort ( Ralph Fiennes, deliciously creepy) has amassed his conspirators (among them Alan Rickman, Helena Bonham Carter and Jason Isaacs) and is seizing control of mystical strongholds like the Ministry of Magic (run here by a prickly Bill Nighy) and, of course, Hogwart’s School of Witchcraft and Wizardry. She’s literally cast herself out of their lives. To protect her parents, she waves her wand over them, and she is instantly erased from all of the family photos.
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Her parents, as we know, are human (or “Muggles”) and therefore not entirely clued in to the apocalyptic doom that’s been gathering, like very literal storm clouds, in the magical world. In the scene, Hermione ( Emma Watson) is seen at her parents’ home. You’re just a few minutes into “ Harry Potter and the Deathly Hallows, Part 1,” when it becomes explicitly clear that, no matter how much the other entries in the franchise have flirted with “darkness,” this will be a completely different experience.